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The Resource A Companion to Wong Kar-wai, edited by Martha P. Nochimson

A Companion to Wong Kar-wai, edited by Martha P. Nochimson

Label
A Companion to Wong Kar-wai
Title
A Companion to Wong Kar-wai
Statement of responsibility
edited by Martha P. Nochimson
Title variation
Wong Kar-wai
Contributor
Editor
Subject
Language
eng
Summary
Contains 26 essays addressing numerous topics including intertextuality, transnationality, gender representation, repetition, the use of music, color, and sound, depiction of time and space in human affairs, and Wong's portrayal of violence
Member of
Cataloging source
SYB
Dewey number
791.4302/33092
Illustrations
illustrations
Index
index present
LC call number
PN1998.3.W65
LC item number
C66 2016
Literary form
non fiction
Nature of contents
bibliography
Series statement
Wiley Blackwell Companions to Film Directors
Label
A Companion to Wong Kar-wai, edited by Martha P. Nochimson
Instantiates
Publication
Copyright
Carrier category
volume
Carrier MARC source
rdacarrier
Content category
  • text
  • still image
Content type code
sti
Content type MARC source
  • rdacontent
  • rdacontent
Contents
  • Joseph G. Kickasola
  • 3.
  • Wong Kar-wai and his jiang hu
  • Bérénice Reynaud
  • Part three. Thresholds of texture and mood. 4.
  • Wong Kar-wai's cinema of repetition
  • Ackbar Abbas
  • 5.
  • Wong Kar-wai: The optics of the virtual
  • Angelo Restivo
  • (from table of contents) Part One. Introduction.
  • 6.
  • Color design in the cinema of Wong Kar-wai
  • Shohini Chaudhuri
  • 7.
  • The value of re-exports: Wong Kar-wai's use of pre-existing soundtracks
  • Giorgio Biancorosso
  • Part four. In the corridors of history and culture. 8.
  • Wong's ladies from Shanghai
  • Gina Marchetti
  • 9.
  • Wong Kar-wai: Invoking the universal and the local
  • The Sinophone cinema of Wong Kar-wai
  • Audrey Yue
  • 10.
  • New queer angles on Wong Kar-wai
  • Helen Hok-Sze Leung
  • 11.
  • "Pity about the furniture": Violence, Wong Kar-wai style
  • Karen Fang
  • 12.
  • In the mood for food: Wong Kar-wai's culinary imaginary
  • Martha P. Nochimson
  • Mike Ingham and Matthew Kwok-kin Fung
  • 13.
  • "Chungking Express", Tarantino, and the making of a reputation
  • David Desser
  • Part five. Close-up of Wong's inflections of time and space.
  • "Chungking Express": Slow - images - ahead
  • Raymond Bellour ; translated by Allyn Hardyck
  • 15.
  • Wong Kar-wai: The actor, framed
  • Joe McElhaney
  • Part two. Mapping Wong's liminality. 1.
  • 16.
  • Infidelity and the obscure object of history
  • Vivian P.Y. Lee
  • 17.
  • Metonymy, mneme, and anamnesis in Wong Kar-wai
  • Thorsten Botz-Bornstein
  • Part six. Focus on individual films. 18.
  • Serial, sequelae, and postcolonial nostalgia: Wong Kar-wai's 1960s Hong Kong trilogy
  • Yiman Wang
  • 19.
  • Transnational Wong
  • We can't go on not meeting like this: "Fallen angels" and Wong's intertextuality
  • Martha P. Nochimson
  • 20.
  • The third reality: "In the mood for love"
  • Michel Chion ; translated by Claudia Gorbman
  • 21.
  • Cinephiliac engagement and the disengaged gaze in "In the mood for love"
  • Yomi Braester
  • 22.
  • Wong's America, North and South: "My blueberry nights" and "Happy together"
  • Ken Provencher
  • Ken Provencher
  • 23.
  • Queer utopias in Wong Kar-wai's "Happy together"
  • Carlos Rojas
  • 24.
  • Wong Kar-wai's genre practice and romantic authorship: The cases of "Ashes of time redux" and "The grandmaster"
  • Stephen Teo
  • 25.
  • Wong Kar-wai, auteur and adaptor: "Ashes of time" and "In the mood for love"
  • Wai-ping Yau
  • 2.
  • Filmography
  • Appendix I.
  • Wong works in television
  • Chih-ting Chen
  • Appendix II.
  • Wong works in advertising
  • Chih-ting Chen
  • Selected bibliography
  • Index
  • It is a restless moment: Wong Kar-wai and the phenomenology of flow
Dimensions
25 cm.
Extent
xvi, 627 pages
Isbn
9781118424247
Media category
unmediated
Media MARC source
rdamedia
Other physical details
illustrations
System control number
(OCoLC)939596676
Label
A Companion to Wong Kar-wai, edited by Martha P. Nochimson
Publication
Copyright
Carrier category
volume
Carrier MARC source
rdacarrier
Content category
  • text
  • still image
Content type code
sti
Content type MARC source
  • rdacontent
  • rdacontent
Contents
  • Joseph G. Kickasola
  • 3.
  • Wong Kar-wai and his jiang hu
  • Bérénice Reynaud
  • Part three. Thresholds of texture and mood. 4.
  • Wong Kar-wai's cinema of repetition
  • Ackbar Abbas
  • 5.
  • Wong Kar-wai: The optics of the virtual
  • Angelo Restivo
  • (from table of contents) Part One. Introduction.
  • 6.
  • Color design in the cinema of Wong Kar-wai
  • Shohini Chaudhuri
  • 7.
  • The value of re-exports: Wong Kar-wai's use of pre-existing soundtracks
  • Giorgio Biancorosso
  • Part four. In the corridors of history and culture. 8.
  • Wong's ladies from Shanghai
  • Gina Marchetti
  • 9.
  • Wong Kar-wai: Invoking the universal and the local
  • The Sinophone cinema of Wong Kar-wai
  • Audrey Yue
  • 10.
  • New queer angles on Wong Kar-wai
  • Helen Hok-Sze Leung
  • 11.
  • "Pity about the furniture": Violence, Wong Kar-wai style
  • Karen Fang
  • 12.
  • In the mood for food: Wong Kar-wai's culinary imaginary
  • Martha P. Nochimson
  • Mike Ingham and Matthew Kwok-kin Fung
  • 13.
  • "Chungking Express", Tarantino, and the making of a reputation
  • David Desser
  • Part five. Close-up of Wong's inflections of time and space.
  • "Chungking Express": Slow - images - ahead
  • Raymond Bellour ; translated by Allyn Hardyck
  • 15.
  • Wong Kar-wai: The actor, framed
  • Joe McElhaney
  • Part two. Mapping Wong's liminality. 1.
  • 16.
  • Infidelity and the obscure object of history
  • Vivian P.Y. Lee
  • 17.
  • Metonymy, mneme, and anamnesis in Wong Kar-wai
  • Thorsten Botz-Bornstein
  • Part six. Focus on individual films. 18.
  • Serial, sequelae, and postcolonial nostalgia: Wong Kar-wai's 1960s Hong Kong trilogy
  • Yiman Wang
  • 19.
  • Transnational Wong
  • We can't go on not meeting like this: "Fallen angels" and Wong's intertextuality
  • Martha P. Nochimson
  • 20.
  • The third reality: "In the mood for love"
  • Michel Chion ; translated by Claudia Gorbman
  • 21.
  • Cinephiliac engagement and the disengaged gaze in "In the mood for love"
  • Yomi Braester
  • 22.
  • Wong's America, North and South: "My blueberry nights" and "Happy together"
  • Ken Provencher
  • Ken Provencher
  • 23.
  • Queer utopias in Wong Kar-wai's "Happy together"
  • Carlos Rojas
  • 24.
  • Wong Kar-wai's genre practice and romantic authorship: The cases of "Ashes of time redux" and "The grandmaster"
  • Stephen Teo
  • 25.
  • Wong Kar-wai, auteur and adaptor: "Ashes of time" and "In the mood for love"
  • Wai-ping Yau
  • 2.
  • Filmography
  • Appendix I.
  • Wong works in television
  • Chih-ting Chen
  • Appendix II.
  • Wong works in advertising
  • Chih-ting Chen
  • Selected bibliography
  • Index
  • It is a restless moment: Wong Kar-wai and the phenomenology of flow
Dimensions
25 cm.
Extent
xvi, 627 pages
Isbn
9781118424247
Media category
unmediated
Media MARC source
rdamedia
Other physical details
illustrations
System control number
(OCoLC)939596676

Library Locations

    • Harold B. Lee Library Brigham Young University, Provo, UT, 84602, US
      40.249156 -111.649242
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