Coverart for item
The Resource Avant-garde performance & the limits of criticism : approaching the Living Theatre, happenings/Fluxus, and the Black Arts movement, Mike Sell

Avant-garde performance & the limits of criticism : approaching the Living Theatre, happenings/Fluxus, and the Black Arts movement, Mike Sell

Label
Avant-garde performance & the limits of criticism : approaching the Living Theatre, happenings/Fluxus, and the Black Arts movement
Title
Avant-garde performance & the limits of criticism
Title remainder
approaching the Living Theatre, happenings/Fluxus, and the Black Arts movement
Statement of responsibility
Mike Sell
Title variation
Avant-garde performance and the limits of criticism
Creator
Subject
Language
eng
Cataloging source
DLC
Dewey number
792/.09747/1
Government publication
government publication of a state province territory dependency etc
Illustrations
illustrations
Index
index present
LC call number
PN2297.L5
LC item number
S45 2005
Literary form
non fiction
Nature of contents
bibliography
Series statement
Theater--theory/text/performance
Label
Avant-garde performance & the limits of criticism : approaching the Living Theatre, happenings/Fluxus, and the Black Arts movement, Mike Sell
Instantiates
Publication
Note
Originated in the author's dissertation
Bibliography note
Includes bibliographical references (p. 291-313) and index
Carrier category
volume
Carrier MARC source
rdacarrier
Content category
text
Content type MARC source
rdacontent
Contents
Introduction: The Revolution Will Not Be Theorized -- Case 1: The Connection: Cruelty, Jazz, and Drug War, 1959---1963 -- Chapter 1: Cruelty and the Cold War -- Chapter 2: Jazz and Drug War -- Case 2: Happenings, Fluxus, and the Production of Memory -- Chapter 3: Bad Memory -- Chapter 4: The Avant-Garde Disappears -- Chapter 5: Performance and the Mode of Production -- Case 3: The Black Arts Movement: Text, Performance, Blackness -- Chapter 6: Blackness as Critical Practice -- Chapter 7: Blackness and Text -- Chapter 8: Was the Black Arts Movement an Avant-Garde?
Dimensions
24 cm.
Extent
vi, 327 p.
Isbn
9780472114955
Isbn Type
(cloth : alk. paper)
Lccn
2005016628
Media category
unmediated
Media MARC source
rdamedia
Other physical details
ill.
System control number
(OCoLC)ocn368088935
Label
Avant-garde performance & the limits of criticism : approaching the Living Theatre, happenings/Fluxus, and the Black Arts movement, Mike Sell
Publication
Note
Originated in the author's dissertation
Bibliography note
Includes bibliographical references (p. 291-313) and index
Carrier category
volume
Carrier MARC source
rdacarrier
Content category
text
Content type MARC source
rdacontent
Contents
Introduction: The Revolution Will Not Be Theorized -- Case 1: The Connection: Cruelty, Jazz, and Drug War, 1959---1963 -- Chapter 1: Cruelty and the Cold War -- Chapter 2: Jazz and Drug War -- Case 2: Happenings, Fluxus, and the Production of Memory -- Chapter 3: Bad Memory -- Chapter 4: The Avant-Garde Disappears -- Chapter 5: Performance and the Mode of Production -- Case 3: The Black Arts Movement: Text, Performance, Blackness -- Chapter 6: Blackness as Critical Practice -- Chapter 7: Blackness and Text -- Chapter 8: Was the Black Arts Movement an Avant-Garde?
Dimensions
24 cm.
Extent
vi, 327 p.
Isbn
9780472114955
Isbn Type
(cloth : alk. paper)
Lccn
2005016628
Media category
unmediated
Media MARC source
rdamedia
Other physical details
ill.
System control number
(OCoLC)ocn368088935

Library Locations

    • Harold B. Lee Library Brigham Young University, Provo, UT, 84602, US
      40.249156 -111.649242
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