Coverart for item
The Resource Dismantling the dream factory : gender, German cinema, and the postwar quest for a new film language, Hester Baer

Dismantling the dream factory : gender, German cinema, and the postwar quest for a new film language, Hester Baer

Label
Dismantling the dream factory : gender, German cinema, and the postwar quest for a new film language
Title
Dismantling the dream factory
Title remainder
gender, German cinema, and the postwar quest for a new film language
Statement of responsibility
Hester Baer
Creator
Subject
Language
eng
Member of
Cataloging source
DLC
Dewey number
791.430943/09044
Illustrations
illustrations
Index
index present
LC call number
PN1993.5.G3
LC item number
B275 2009
Literary form
non fiction
Nature of contents
bibliography
Series statement
Film Europa
Series volume
v. 9
Label
Dismantling the dream factory : gender, German cinema, and the postwar quest for a new film language, Hester Baer
Instantiates
Publication
Note
"Berghahn on film"--Cover
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier MARC source
rdacarrier
Content category
text
Content type MARC source
rdacontent
Contents
Relegitimating cinema: female spectators and the problem of representation -- How do you solve a problem like Susanne?: the female gaze in Wolfgang Staudte's The murderers are among us (1946) -- When fantasy meets reality: authorship and stardom in Rudolf Jugert's Film without a title (1948) -- Gendered visions of the German past: Wolfgang Liebeneiner's Love '47 (1949) as woman's film -- Unsolved mysteries: race, ethnicity, and gender in Helmut Kätner's Epilogue (1950) -- Art on film: representing gender and sexuality in popular cinema -- "Through her eyes": regendering representation in Willi Forst's The sinner (1951) -- Looking at Heimat: visual pleasure and cinematic realism in Alfons Stummer's The forester of the silver wood (1955) -- Degenerate art?: problems of gender and sexuality in Veit Harlan's Different from you and me (175) (1957) -- Towards the new wave: gender and the critique of popular cinema -- Pleasurable negotiations: spectatorship and genre in Helmut Kätner's "anti-tearjerker" Engagement in Zurich (1957) -- Sound and spectacle in the Wirtschaftswunder: the critical strategies of Rolf Thiele's The girl Rosemarie (1958) -- Gender and the new wave: Herbert Vesely's The bread of those early years (1962) as transitional film -- Epilogue: adapting the 1950s: the afterlife of postwar cinema in post-unification popular culture
Dimensions
24 cm.
Extent
xiii, 304 p.
Isbn
9781845456054
Isbn Type
(hardback : alk. paper)
Lccn
2009032996
Media category
unmediated
Media MARC source
rdamedia
Other physical details
ill.
System control number
  • (OCoLC)ocn316825701
  • UtOrBLW
  • (OCoLC)ocn506684457
Label
Dismantling the dream factory : gender, German cinema, and the postwar quest for a new film language, Hester Baer
Publication
Note
"Berghahn on film"--Cover
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier MARC source
rdacarrier
Content category
text
Content type MARC source
rdacontent
Contents
Relegitimating cinema: female spectators and the problem of representation -- How do you solve a problem like Susanne?: the female gaze in Wolfgang Staudte's The murderers are among us (1946) -- When fantasy meets reality: authorship and stardom in Rudolf Jugert's Film without a title (1948) -- Gendered visions of the German past: Wolfgang Liebeneiner's Love '47 (1949) as woman's film -- Unsolved mysteries: race, ethnicity, and gender in Helmut Kätner's Epilogue (1950) -- Art on film: representing gender and sexuality in popular cinema -- "Through her eyes": regendering representation in Willi Forst's The sinner (1951) -- Looking at Heimat: visual pleasure and cinematic realism in Alfons Stummer's The forester of the silver wood (1955) -- Degenerate art?: problems of gender and sexuality in Veit Harlan's Different from you and me (175) (1957) -- Towards the new wave: gender and the critique of popular cinema -- Pleasurable negotiations: spectatorship and genre in Helmut Kätner's "anti-tearjerker" Engagement in Zurich (1957) -- Sound and spectacle in the Wirtschaftswunder: the critical strategies of Rolf Thiele's The girl Rosemarie (1958) -- Gender and the new wave: Herbert Vesely's The bread of those early years (1962) as transitional film -- Epilogue: adapting the 1950s: the afterlife of postwar cinema in post-unification popular culture
Dimensions
24 cm.
Extent
xiii, 304 p.
Isbn
9781845456054
Isbn Type
(hardback : alk. paper)
Lccn
2009032996
Media category
unmediated
Media MARC source
rdamedia
Other physical details
ill.
System control number
  • (OCoLC)ocn316825701
  • UtOrBLW
  • (OCoLC)ocn506684457

Library Locations

    • Harold B. Lee Library Brigham Young University, Provo, UT, 84602, US
      40.249156 -111.649242
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