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The Resource History and images : towards a new iconology, edited by Axel Bolvig and Phillip Lindley

History and images : towards a new iconology, edited by Axel Bolvig and Phillip Lindley

Label
History and images : towards a new iconology
Title
History and images
Title remainder
towards a new iconology
Statement of responsibility
edited by Axel Bolvig and Phillip Lindley
Contributor
Subject
Language
  • eng
  • fre
  • ger
  • eng
Cataloging source
UKM
Dewey number
704.90940902
Illustrations
illustrations
Index
no index present
Language note
Mostly in English with two chapters French and one in German
LC call number
N8210
LC item number
H58 2003
Literary form
non fiction
Nature of contents
bibliography
Series statement
Medieval texts and cultures of Northern Europe
Series volume
5
Label
History and images : towards a new iconology, edited by Axel Bolvig and Phillip Lindley
Instantiates
Publication
Bibliography note
Includes bibliographical references
Carrier category
volume
Carrier MARC source
rdacarrier
Content category
text
Content type MARC source
rdacontent
Contents
  • Image and word: systematic research into the relations between image and word in Dutch culture (1500-1800)
  • Jörgen van den Berg, Hans Brandhorst, Peter van Huisstede
  • Six St. Jeromes: notes on the technology and uses of computer lighting simulations
  • Simon Niedenthal
  • The Lincoln CD-ROM Project: history, theory, conservation, and images
  • Phillip Lindley
  • Innovative hybride graphische Systeme zur Denkmalüberwachung und -verwaltung am Beispiel historischer Wandmalerein, ein Erfahrungsbericht
  • Rolf-Jürgen Grote, Annette Hornschuch
  • Cutting off the king's head: images and the (dis)location of power
  • Frank Colson, Jean Colson, Ross Parry, Andrew Sawyer
  • Art and history: the legacy of Johan Huizinga
  • 'Serra ex ferro'/'Serra ex vitro': medieval history, computers, image messages reconsidered
  • Gerhard Jaritz --
  • Francis Haskell
  • Images and the historian
  • Jean-Claude Schmitt
  • Nostalgia for the real: the troubled relation of art history to visual culture
  • Keith Moxley
  • Pourquoi élaborer des bases de données d'image? Propositions pour une iconographie sérielle
  • Jérôme Baschet
  • Man and picture: on the function of wall paintings in medieval churches
  • Anna Nilsén
  • Representations of Jews in Danish medieval art. Can images be used as source material on their own?
  • Ulla Haastrup
  • Anti-semitism, image desecration, and the problem of 'Jewish exectution'
  • Norbert Schnitzler
  • Framing history with salvation
  • Søren Kaspersen
  • On the epistemology of images
  • Lena Liepe
  • Quantitative image analysis: the painter of wooden shoes
  • Axel Bolvig
  • At the sign of the 'Spinning Sow': and 'other' Chartres and images of everyday life of the medieval street
  • Michael Camille
  • Les marges à drôleries des manuscrits gothiques: problèmes de méthode
  • Jean Wirth
  • 'Primitive' paintings: the visual world of populus rusticus
  • Helena Edgren
Dimensions
25 cm.
Extent
xxx, 430 p.
Isbn
9782503511559
Media category
unmediated
Media MARC source
rdamedia
Other physical details
ill. (some col.)
System control number
  • (RLIN)CTYA6204317-B
  • (OCoLC)ocn373601702
Label
History and images : towards a new iconology, edited by Axel Bolvig and Phillip Lindley
Publication
Bibliography note
Includes bibliographical references
Carrier category
volume
Carrier MARC source
rdacarrier
Content category
text
Content type MARC source
rdacontent
Contents
  • Image and word: systematic research into the relations between image and word in Dutch culture (1500-1800)
  • Jörgen van den Berg, Hans Brandhorst, Peter van Huisstede
  • Six St. Jeromes: notes on the technology and uses of computer lighting simulations
  • Simon Niedenthal
  • The Lincoln CD-ROM Project: history, theory, conservation, and images
  • Phillip Lindley
  • Innovative hybride graphische Systeme zur Denkmalüberwachung und -verwaltung am Beispiel historischer Wandmalerein, ein Erfahrungsbericht
  • Rolf-Jürgen Grote, Annette Hornschuch
  • Cutting off the king's head: images and the (dis)location of power
  • Frank Colson, Jean Colson, Ross Parry, Andrew Sawyer
  • Art and history: the legacy of Johan Huizinga
  • 'Serra ex ferro'/'Serra ex vitro': medieval history, computers, image messages reconsidered
  • Gerhard Jaritz --
  • Francis Haskell
  • Images and the historian
  • Jean-Claude Schmitt
  • Nostalgia for the real: the troubled relation of art history to visual culture
  • Keith Moxley
  • Pourquoi élaborer des bases de données d'image? Propositions pour une iconographie sérielle
  • Jérôme Baschet
  • Man and picture: on the function of wall paintings in medieval churches
  • Anna Nilsén
  • Representations of Jews in Danish medieval art. Can images be used as source material on their own?
  • Ulla Haastrup
  • Anti-semitism, image desecration, and the problem of 'Jewish exectution'
  • Norbert Schnitzler
  • Framing history with salvation
  • Søren Kaspersen
  • On the epistemology of images
  • Lena Liepe
  • Quantitative image analysis: the painter of wooden shoes
  • Axel Bolvig
  • At the sign of the 'Spinning Sow': and 'other' Chartres and images of everyday life of the medieval street
  • Michael Camille
  • Les marges à drôleries des manuscrits gothiques: problèmes de méthode
  • Jean Wirth
  • 'Primitive' paintings: the visual world of populus rusticus
  • Helena Edgren
Dimensions
25 cm.
Extent
xxx, 430 p.
Isbn
9782503511559
Media category
unmediated
Media MARC source
rdamedia
Other physical details
ill. (some col.)
System control number
  • (RLIN)CTYA6204317-B
  • (OCoLC)ocn373601702

Library Locations

    • Harold B. Lee Library Brigham Young University, Provo, UT, 84602, US
      40.249156 -111.649242
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