Coverart for item
The Resource Modern German art for thirties Paris, Prague, and London : resistance and acquiescence in a democratic public sphere, Keith Holz

Modern German art for thirties Paris, Prague, and London : resistance and acquiescence in a democratic public sphere, Keith Holz

Label
Modern German art for thirties Paris, Prague, and London : resistance and acquiescence in a democratic public sphere
Title
Modern German art for thirties Paris, Prague, and London
Title remainder
resistance and acquiescence in a democratic public sphere
Statement of responsibility
Keith Holz
Creator
Subject
Language
eng
Cataloging source
DLC
Dewey number
704/.086/914094
Illustrations
  • illustrations
  • plates
Index
index present
LC call number
N72.P6
LC item number
H65 2004
Literary form
non fiction
Nature of contents
bibliography
Series statement
Social history, popular culture, and politics in Germany
Label
Modern German art for thirties Paris, Prague, and London : resistance and acquiescence in a democratic public sphere, Keith Holz
Link
http://www.loc.gov/catdir/toc/ecip0417/2004009446.html
Instantiates
Publication
Bibliography note
Includes bibliographical references (p. 285-344) and index
Carrier category
volume
Carrier MARC source
rdacarrier
Content category
text
Content type MARC source
rdacontent
Contents
Which German art and artists for Paris? -- Between Gleichschaltung and the freedom of art: German art and its institutions in Czechoslovakia -- The collective of German artists (Paris) and the popular front: death twitch of the historical avant-garde? -- The limited attention to modern German art in London and the absence of a public exile culture -- Exile artists' groups and local cultural institutions respond to degenerate art (July 1937-March 1938) -- Exhibiting modern German art in London and Paris: from the Anschluss to the Night of broken glass (April-November 1938) -- The end of a public exile culture in Prague and Paris and its marginalization in London: from the Munich agreement to internment (November 1938-June 1940)
Dimensions
27 cm.
Extent
xvii, 359 p., [8] p. of plates
Isbn
9780472113705
Isbn Type
(cloth : alk. paper)
Lccn
2004009446
Media category
unmediated
Media MARC source
rdamedia
Other physical details
ill. (some col.)
System control number
(OCoLC)ocn368287850
Label
Modern German art for thirties Paris, Prague, and London : resistance and acquiescence in a democratic public sphere, Keith Holz
Link
http://www.loc.gov/catdir/toc/ecip0417/2004009446.html
Publication
Bibliography note
Includes bibliographical references (p. 285-344) and index
Carrier category
volume
Carrier MARC source
rdacarrier
Content category
text
Content type MARC source
rdacontent
Contents
Which German art and artists for Paris? -- Between Gleichschaltung and the freedom of art: German art and its institutions in Czechoslovakia -- The collective of German artists (Paris) and the popular front: death twitch of the historical avant-garde? -- The limited attention to modern German art in London and the absence of a public exile culture -- Exile artists' groups and local cultural institutions respond to degenerate art (July 1937-March 1938) -- Exhibiting modern German art in London and Paris: from the Anschluss to the Night of broken glass (April-November 1938) -- The end of a public exile culture in Prague and Paris and its marginalization in London: from the Munich agreement to internment (November 1938-June 1940)
Dimensions
27 cm.
Extent
xvii, 359 p., [8] p. of plates
Isbn
9780472113705
Isbn Type
(cloth : alk. paper)
Lccn
2004009446
Media category
unmediated
Media MARC source
rdamedia
Other physical details
ill. (some col.)
System control number
(OCoLC)ocn368287850

Library Locations

    • Harold B. Lee Library Brigham Young University, Provo, UT, 84602, US
      40.249156 -111.649242
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