Coverart for item
The Resource Tales of Manhattan, Twentieth Century-Fox ; producers, Boris Morros, S.P. Eagle ; director, Julien Duvivier ; authors-screenplay, Ben Hecht, Ferenc Molnar, Donald Ogden Stewart, Samuel Hoffenstein, Alan Campbell, Ladislas Fodor, L. Vadnai, L. Georog, Lamar Trotti, Henry Blankfort ; associate producer, Sam Rheiner

Tales of Manhattan, Twentieth Century-Fox ; producers, Boris Morros, S.P. Eagle ; director, Julien Duvivier ; authors-screenplay, Ben Hecht, Ferenc Molnar, Donald Ogden Stewart, Samuel Hoffenstein, Alan Campbell, Ladislas Fodor, L. Vadnai, L. Georog, Lamar Trotti, Henry Blankfort ; associate producer, Sam Rheiner

Label
Tales of Manhattan
Title
Tales of Manhattan
Statement of responsibility
Twentieth Century-Fox ; producers, Boris Morros, S.P. Eagle ; director, Julien Duvivier ; authors-screenplay, Ben Hecht, Ferenc Molnar, Donald Ogden Stewart, Samuel Hoffenstein, Alan Campbell, Ladislas Fodor, L. Vadnai, L. Georog, Lamar Trotti, Henry Blankfort ; associate producer, Sam Rheiner
Creator
Contributor
Actor
Screenwriter
Producer
Subject
Genre
Language
eng
Summary
"Just before the opening of his new Broadway show, famed actor Paul Orman is fitted with a new formal tail coat by his tailor. The tailor nervously admits that the coat was cursed by a dismissed cutter, who swore that it would bring misfortune to anyone who wore it, but Orman does not care. After a well-received performance, Orman instructs his valet, Luther, to drive him to the country estate of Ethel Halloway. Ethel was once Orman's paramour, but after the end of their affair, she married John Halloway, a rich big-game hunter. Luther believes that Orman is better off without Ethel, but the actor cannot resist engineering an impromptu rendezvous with her. Orman and Ethel alternately declare their love and suspicions about each other's motives, until he admits that he should never have broken with her, then persuades her to go to Brazil with him. Just after Orman calls his manager and instructs him to close the play, Halloway enters and menancingly shows Orman his favorite rifle. Halloway shoots Orman, and after stating that he did so accidentally, convinces Ethel to promise to testify that it was an accident. Ethel also tells Orman that she will support his version, that the shooting was deliberate, and Orman finally realizes that she lies to everyone and has no intention of ever leaving her husband for him. After asserting that Halloway missed him and that he was only pretending to be shot in order to reveal Ethel's false nature, Orman collapses in his car and instructs Luther to take him to the hospital. Soon after, Luther takes the tail coat, with its bullet hole intact, and gives it to his friend, Edgar, as security for a ten-dollar loan. Edgar is the butler for Harry Wilson, a Manhattan playboy who is to be married that evening to Diane. While Harry recovers from his wild bachelor party of the previous night, Diane receives a visit from her friend Ellen, who is determined to divorce her husband after finding evidence of his infidelity in his tail coat pocket. Diane advises her not to search her husband's clothes, then takes her to Harry's apartment. As they are waiting for Harry, Ellen urges Diane to look in his tail coat pocket, where she finds a torrid love letter from 'Squirrel.' Harry overhears the devastated Diane reading aloud the letter and calls his best friend, George, whom he implores to come immediately. Using the tail coat that Luther gave to Edgar, George tells Diane that he took Harry's coat when he left the night before, and that the coat she has searched is actually his. Diane is satisfied with the explanation and allows George to keep her company while Harry finishes dressing. The intimate letter makes Diane see timid George in a new light, however, and she falls in love with him as they flirt. George, who has always loved Diane, is thrilled by her response, but when Miss Gray, the 'Squirrel' of the letter, arrives to castigate Harry for getting married, George still tries to cover up for him. Diane sees through the charade, and after returning Harry's ring, leaves with George. Luther and Edgar then pawn the tail coat in order to get Edgar's money. Mrs. Smith sees the coat in the shop and tells the proprietor that she would love to buy it for her husband Charles, who is an accomplished musician and composer. At that moment, Charles, who is playing piano in a saloon, leaves his degrading job to watch the famed conductor Arturo Bellini at a rehearsal. Charles' friend, Wilson, convinces Bellini to see Charles, and despite his fright, Charles plays his Bacchanale moderne for the conductor. Bellini is impressed with the piece and offers Charles the opportunity to conduct it at his next concert. On the night of the event, Wilson tells Charles that he must wear a formal tail coat. As Charles rushes to the theater, Mrs. Smith returns to the pawnshop and buys the coat, which is much too small for Charles. Nothing can be done, however, so Charles goes onstage and conducts his symphony. The coat tears twice as Charles moves vigorously and the audience begins to laugh. One of the musicians finally informs Charles, who removes his coat, but the laughter continues to swell. As Charles sobs onstage, Bellini stands in his box and slowly removes his own coat. Ashamed of their behavior, the other men in the audience remove their coats and applaud as Bellini gestures for Charles to resume. Charles' music is then a success, and after he leaves the hall with his wife and Wilson, he gives the coat to a worker for the Society to Aid the Friendless. The tail coat is given to Father Joe, a dedicated helper of Bowery bums. Joe receives a letter for Avery L. Browne, a downtrodden fellow whom Joe knows as Larry. Joe takes the letter to Larry, and it is revealed to be an invitation to the twenty-fifth anniversary reunion of his law class. Larry, drunken and dirty as usual, refuses to attend, but Joe cleans him up, dresses him in the tail coat and sends him to the Waldorf-Astoria for the dinner. As Larry greets his old comrades, including his English teacher, Professor Lyons, he becomes more like his former, jovial self. He tells his friends that he was away on an important job in China and enjoys himself until the arrival of Williams, his ex-partner in their Chicago law firm. During the evening, Henderson, one of the attendees, believes that his wallet has been stolen, and when Larry, who is wearing a dickey and a cheap shirt, refuses to take his coat off and be searched, Williams accuses him of the crime. Williams stages a mock trial to prove that due to his low character, Larry must be guilty. Larry pleads his case, telling how he fought in World War I, married a lovely girl and entered partnership with Williams. During Prohibition, Larry had a successful practice protecting clients of doubtful occupations, but afterward, his practice fell apart and he was disbarred, probably through Williams' machinations. After losing his wife, Larry became a drifter and has wandered the streets of New York for the past six years. Finally removing his coat, Larry offers to be searched, then leaves when none of his friends speak. Henderson's chauffeur then enters and produces his wallet, which was left in the car. Completely dispirited, Larry gets drunk and returns to Joe's mission the following morning. Also arriving, however, are Larry's friends, Soupy Davis, Hank Bronson and Judge Barnes, who have come to offer him a job. Joe promises that he will send Larry right away, then tells his wife to sell the coat to the Santelli Brothers, a pair of second-hand clothes dealers. The coat is stolen from the shop by Costello and Monk, hoodlums who want to rob a fancy gambling club. Properly attired, Costello is able to enter the club, then robs its patrons. He makes a getaway in a small plane, but when sparks from the cockpit set the coat on fire, Costello tosses it out before remembering that he hid the stolen $50,000 in it. The coat falls in fields worked by Luke and Esther, two black, Southern sharecroppers. Esther insists that they take the money to Reverend Lazurus, their preacher, who declares that it is manna from heaven. Wishing to help everyone in their poverty-stricken community, Lazurus declares that he will divide up the money to fulfill people's prayers. Esther, who has prayed for a cow, receives sixty dollars, while Luke is given almost eight hundred dollars for a new tractor. Children receive a few dollars each for shoes and toys, and everyone gets some money for presents, for it is Christmas Eve. Even after all the prayers have been accounted for, there is a large sum of money left, and Esther declares that it should be used to build a new church and to buy tools, land and seed so that none of them will go hungry again. Everyone is satisfied until they remember old Christopher, the poorest one of all. They rush to see him, and after explaining the situation, ask what he wants for Christmas. The old man declares that all he desires is something to keep away the pesky crows, and the once glorious tail coat becomes a scarecrow in Christopher's field"--AFI catalog, 1941-1950
Related
Member of
Cataloging source
JAG
Characteristic
videorecording
Credits note
Musical director, Edward Paul; original music, Sol Kaplan; art directors, Richard Day, Boris Leven; cameraman, Joseph Walker; editor, Robert Bischoff. Assistant directors, Robert Stillman and Charles Hall; additional director on W.C. Fields sequences, Mal St. Clair; dialogue directors, Don Brodie and Alan Campbell; set decorations, Thomas Little; props, Phil D'Esco; costumes, Dolly Tree, Bernard Newman, Gwen Wakeling, and Irene; orchestrations, Clarence Wheeler, Charles Bradshaw, and Hugo Friedhofer; vocal arrangement, Hall Johnson; sound, W.D. Flick and Roger Heman; makeup artist, Guy Pearce; unit manager, J.H. Nadel; production manager, William Koenig; Paul Robeson's vocal coach, accompanist and arranger, Lawrence Brown. Song: Glory day, music and lyrics by Leo Robin and Ralph Rainger. Music: Bacchanale moderne by Sol Kaplan
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Intended audience
MPAA rating: Not rated
PerformerNote
Charles Boyer (Paul Orman); Rita Hayworth (Ethel Halloway); Ginger Rogers (Diane); Henry Fonda (George); Charles Laughton (Charles Smith); Edward G. Robinson (Avery L. "Larry" Browne); Paul Robeson (Luke); Ethel Waters (Esther); Eddie Rochester Anderson (Rev. Lazarus); Thomas Mitchell (John Halloway); Eugene Pallette (Luther); Cesar Romero (Harry Wilson); Gail Patrick (Ellen); Roland Young (Edgar); Marion Martin (Squirrel, Miss Gray); Elsa Lanchester (Mrs. Smith); Victor Francen (Arturo Bellini); George Sanders (Williams); James Gleason ("Father" Joe); Harry Davenport (Professor Lyons); James Rennie (Hank Bronson); J. Carrol Naish (Costello); the Hall Johnson Choir (themselves); Frank Orth (second-hand clothes dealer); Christian Rub (Wilson); Sig Arno (piccolo player); Harry Hayden (Soupy Davis); Morris Ankrum (Judge Barnes); Don Douglas (Henderson); Mae Marsh (Molly); Clarence Muse (grandpa); George Reed (Christopher); Cordell Hickman (Nicodemus); Paul Renay ("Spud" Johnson); Barbara Lynn (Mary); Adeline deWalt Reynolds (grandmother); Helene Reynolds (actress); Robert Greig (Lazar); Jack Chefe (Martelli the tailor); William Halligan (Evan Webb); Charles Williams (agent); Eric Wilton (Halloway butler); Connie Leon (Mary); Forbes Murray (dignified man); Buster Brodie (call boy); Frank Jaquet (musician); Will Wright (skeptic); Frank Dae (elderly man); Rene Austin (Susan); Frank Darien (grandpa); Dewey Robinson (proprietor); Tom O'Grady (latecomer); Alex Pollard (waiter); Joseph Bernard (postman); Don Brodie (whistler); Ted Stanhope (chauffeur); John Kelly (Monk); Lonnie Nichols (Brad); Charles Gray (Rod); Phillip Hurlic (Jeff); Alberta Gary (black girl); Charles Tannen (pilot); Esther Howard, Archie Savage, Rita Christiani, Laura Vaughn, Ella Mae Lashley, Olive Ball, Maggie Dorsey
Runtime
118
Series statement
20th Century Fox cinema archives
Technique
live action
Label
Tales of Manhattan, Twentieth Century-Fox ; producers, Boris Morros, S.P. Eagle ; director, Julien Duvivier ; authors-screenplay, Ben Hecht, Ferenc Molnar, Donald Ogden Stewart, Samuel Hoffenstein, Alan Campbell, Ladislas Fodor, L. Vadnai, L. Georog, Lamar Trotti, Henry Blankfort ; associate producer, Sam Rheiner
Instantiates
Publication
Copyright
Note
  • Credits were supplied from: Film daily yearbook, 1943; AFI catalog, 1941-1950
  • A sequence with W.C. Fields as a temperance lecturer was deleted prior to the film's release, according to: AFI catalog, 1941-1950
  • Playing time on release was 117-118 min., according to AFI catalog, 1941-1950, 93 min., according to Film daily yearbook, 1943
  • Information in the legal records indicates that the first sequence was based on Marsall, a one-act play by Ferenc Molnar, which was performed as The field marshall in Budapest on October 19, 1929; the second sequence was based on a play entitled Sextette by Ladislas Fodor, the production dates of which have not been determined; and the rest of the sequences were based on original story ideas
  • Originally released as a motion picture in 1942
Carrier category
videodisc
Carrier category code
vd
Carrier MARC source
rdacarrier
Color
black and white
Configuration of playback channels
unknown
Content category
two-dimensional moving image
Content type code
tdi
Content type MARC source
rdacontent
Dimensions
4 3/4 in.
Dimensions
other
Edition
Full frame.
Extent
1 videodisc (118 min.)
Media category
video
Media MARC source
rdamedia
Media type code
v
Medium for sound
videodisc
Note
Previous call number: DVD 7042
Other control number
  • 024543885306
  • EX3iop3
Other physical details
sound, black and white,
Sound on medium or separate
sound on medium
Specific material designation
videodisc
System control number
  • (OCoLC)ocn858310956
  • (IMDb)tt0035415
  • UtOrBLW
  • (OCoLC)ocn889259715
System details
DVD-R (DVD-R discs are compatible with most standard DVD players and computer DVD-ROM drives. However, some players (especially older units) are not capable of reading DVD-R discs)
Video recording format
DVD
Label
Tales of Manhattan, Twentieth Century-Fox ; producers, Boris Morros, S.P. Eagle ; director, Julien Duvivier ; authors-screenplay, Ben Hecht, Ferenc Molnar, Donald Ogden Stewart, Samuel Hoffenstein, Alan Campbell, Ladislas Fodor, L. Vadnai, L. Georog, Lamar Trotti, Henry Blankfort ; associate producer, Sam Rheiner
Publication
Copyright
Note
  • Credits were supplied from: Film daily yearbook, 1943; AFI catalog, 1941-1950
  • A sequence with W.C. Fields as a temperance lecturer was deleted prior to the film's release, according to: AFI catalog, 1941-1950
  • Playing time on release was 117-118 min., according to AFI catalog, 1941-1950, 93 min., according to Film daily yearbook, 1943
  • Information in the legal records indicates that the first sequence was based on Marsall, a one-act play by Ferenc Molnar, which was performed as The field marshall in Budapest on October 19, 1929; the second sequence was based on a play entitled Sextette by Ladislas Fodor, the production dates of which have not been determined; and the rest of the sequences were based on original story ideas
  • Originally released as a motion picture in 1942
Carrier category
videodisc
Carrier category code
vd
Carrier MARC source
rdacarrier
Color
black and white
Configuration of playback channels
unknown
Content category
two-dimensional moving image
Content type code
tdi
Content type MARC source
rdacontent
Dimensions
4 3/4 in.
Dimensions
other
Edition
Full frame.
Extent
1 videodisc (118 min.)
Media category
video
Media MARC source
rdamedia
Media type code
v
Medium for sound
videodisc
Note
Previous call number: DVD 7042
Other control number
  • 024543885306
  • EX3iop3
Other physical details
sound, black and white,
Sound on medium or separate
sound on medium
Specific material designation
videodisc
System control number
  • (OCoLC)ocn858310956
  • (IMDb)tt0035415
  • UtOrBLW
  • (OCoLC)ocn889259715
System details
DVD-R (DVD-R discs are compatible with most standard DVD players and computer DVD-ROM drives. However, some players (especially older units) are not capable of reading DVD-R discs)
Video recording format
DVD

Library Locations

    • Harold B. Lee Library Brigham Young University, Provo, UT, 84602, US
      40.249156 -111.649242
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