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The Resource Weimar cinema : an essential guide to classic films of the era, edited by Noah Isenberg

Weimar cinema : an essential guide to classic films of the era, edited by Noah Isenberg

Label
Weimar cinema : an essential guide to classic films of the era
Title
Weimar cinema
Title remainder
an essential guide to classic films of the era
Statement of responsibility
edited by Noah Isenberg
Contributor
Subject
Language
eng
Member of
Cataloging source
DLC
Dewey number
791.430943/09042
Illustrations
illustrations
Index
index present
LC call number
PN1993.5.G4
LC item number
W357 2009
Literary form
non fiction
Nature of contents
  • bibliography
  • filmographies
Series statement
Film and culture series
Label
Weimar cinema : an essential guide to classic films of the era, edited by Noah Isenberg
Instantiates
Publication
Bibliography note
  • Includes bibliographical references and index
  • Includes filmography: p. [331]-339
Carrier category
volume
Carrier MARC source
rdacarrier
Content category
text
Content type MARC source
rdacontent
Contents
Introduction -- 1. Suggestion, hypnosis, and crime: Robert Wiene's The Cabinet of Dr. Caligari (1920) / Stefan Andriopoulos -- 2. Of Monsters and Magicians: Paul Wegener's The Golem: How He Came into the World (1920) / Noah Isenberg -- 3. Movies, Money, and Mystique: Joe May's early Weimar blockbuster, The Indian Tomb (1921) / Christian Rogowski -- 4. No end to Nosferatu (1922) / Thomas Elsaesser -- 5. Fritz Lang's Dr. Mabuse, the Gambler (1922): Grand enunciator of the Weimar Era / Tom Gunning -- 6. Who gets the last laugh? Old age and generational change in F. W. Murnau's The Last Laugh (1924) / Sabine Hake -- 7. Inflation and devaluation: Gender, space, and economics in G. W. Pabst's The Joyless Street (1924) / Sara F. Hall -- 8. Tradition as intellectual montage: F.W. Murnau's Faust (1926) / Matt Erlin -- 9. Metropolis (1927): City, cinema, modernity / Anton Kaes -- 10. Berlin, Symphony of a Great City (1927): City, image, sound / Nora M. Alter -- 11. Surface sheen and charged bodies: Louise Brooks as Lulu in Pandora's Box (1929) / Margaret McCarthy -- 12. The Berable lightness of being: People on Sunday (1930) / Lutz Kodpnick -- 13. National cinemas/ international film culture: The Blue Angel (1930) in multiple language versions / Patrice Petro -- 14. Coming out of the uniform: Political and sexual emancipation in Leontine Sagan's Madchen in Uniform (1931) / Richard W. McCormick -- 15. Fritz Lang's M (1931): An Open case / Todd Herzog -- 16. Whose revolution? The subject of Kuhle Wampe (1932) / Marc Silberman
Dimensions
24 cm.
Extent
viii, 360 p.
Isbn
9780231130547
Isbn Type
(cloth : alk. paper)
Lccn
2008029682
Media category
unmediated
Media MARC source
rdamedia
Other physical details
ill.
System control number
  • (OCoLC)ocn226360231
  • (OCoLC)ocn373868277
Label
Weimar cinema : an essential guide to classic films of the era, edited by Noah Isenberg
Publication
Bibliography note
  • Includes bibliographical references and index
  • Includes filmography: p. [331]-339
Carrier category
volume
Carrier MARC source
rdacarrier
Content category
text
Content type MARC source
rdacontent
Contents
Introduction -- 1. Suggestion, hypnosis, and crime: Robert Wiene's The Cabinet of Dr. Caligari (1920) / Stefan Andriopoulos -- 2. Of Monsters and Magicians: Paul Wegener's The Golem: How He Came into the World (1920) / Noah Isenberg -- 3. Movies, Money, and Mystique: Joe May's early Weimar blockbuster, The Indian Tomb (1921) / Christian Rogowski -- 4. No end to Nosferatu (1922) / Thomas Elsaesser -- 5. Fritz Lang's Dr. Mabuse, the Gambler (1922): Grand enunciator of the Weimar Era / Tom Gunning -- 6. Who gets the last laugh? Old age and generational change in F. W. Murnau's The Last Laugh (1924) / Sabine Hake -- 7. Inflation and devaluation: Gender, space, and economics in G. W. Pabst's The Joyless Street (1924) / Sara F. Hall -- 8. Tradition as intellectual montage: F.W. Murnau's Faust (1926) / Matt Erlin -- 9. Metropolis (1927): City, cinema, modernity / Anton Kaes -- 10. Berlin, Symphony of a Great City (1927): City, image, sound / Nora M. Alter -- 11. Surface sheen and charged bodies: Louise Brooks as Lulu in Pandora's Box (1929) / Margaret McCarthy -- 12. The Berable lightness of being: People on Sunday (1930) / Lutz Kodpnick -- 13. National cinemas/ international film culture: The Blue Angel (1930) in multiple language versions / Patrice Petro -- 14. Coming out of the uniform: Political and sexual emancipation in Leontine Sagan's Madchen in Uniform (1931) / Richard W. McCormick -- 15. Fritz Lang's M (1931): An Open case / Todd Herzog -- 16. Whose revolution? The subject of Kuhle Wampe (1932) / Marc Silberman
Dimensions
24 cm.
Extent
viii, 360 p.
Isbn
9780231130547
Isbn Type
(cloth : alk. paper)
Lccn
2008029682
Media category
unmediated
Media MARC source
rdamedia
Other physical details
ill.
System control number
  • (OCoLC)ocn226360231
  • (OCoLC)ocn373868277

Library Locations

    • Harold B. Lee Library Brigham Young University, Provo, UT, 84602, US
      40.249156 -111.649242
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